anita loos

Anita Loos – Queen of Wit and Sass Supreme – Episode 24

In episode 24, we discuss the darling of the silent intertitle, mother of sass mouth dames in early talking pictures, raconteur, and all-round solid gold good guy, Anita Loos. We discuss selections of her witty writing on her experience working in Hollywood during the golden era. Stories from Kiss Hollywood Goodbye (1974), Fate Keeps on Happening (1984), Gentlemen Prefer Blondes (1925) and A Girl Like I (1966). We also discuss two of her finest scriptwriting examples in Blondie of the Follies (1932) and The Girl From Missouri (1934).

Sources:
Beauchamp, C. and Loos, M.A., Eds. (2003) Anita Loos Rediscovered: Film Treatments and Fiction by Anita Loos. Berkeley: University of California Press.
Beauchamp, C. (1997) Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood Berkeley: University of California Press.
Blondie of the Follies (1932) Dir. Edmund Goulding [DVD] MGM.
Carey, G. (1988) Anita Loos: A Biography London: Bloomsbury.
Loos, A. (1925) Gentlemen Prefer Blondes (1992) London: Penguin.
Loos, A. (1966) A Girl Like I New York: Viking.
Loos, A. (1974) Kiss Hollywood Goodbye London: W.H Allen.
Loos, A. (1977) Cast of Thousands New York: Grosset & Dunlap.
Loos, A. (1984) Fate Keeps on Happening: Adventures of Lorelei Lee and Other Writings. London: Harrap.
Red-Headed Woman (1932) Dir. Jack Conway [DVD] MGM.
The Girl from Missouri (1934) Dir. Jack Conway [DVD] MGM.

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rosalind russell

Rosalind Russell: Dollface Hick – Episode 22

Orry-Kelly recalled a conversation with Roz during the filming of Auntie Mame “On one occasion I said to her ‘You know, you’re a pretty wonderful girl and you’ve been a wonderful wife. In fact, you’ve been a wonderful mother.’ A naughty Mame-ish gleam came into her eyes as she said, ‘Yes, and I’m a hell of a lover’”. Episode 22 is devoted to this gargantuan superwoman of the silver screen. A unique comedic talent who always displayed class and good humour in whatever picture she worked on. In our opinion, Roz was ‘top drawer’. We discuss three of her finest: The Women (1939), His Girl Friday (1940), and Auntie Mame (1958).

THAT outfit, long thought deleted from the final version of the film but we found its brief appearance!

rosalind russellrosalind russell

Resources:
Auntie Mame (1958) Dir. Morton DaCosta [DVD] Warner Bros.
Dennis, P. (1955) Auntie Mame: An Irreverent Escapade New York: Penguin.
Haskell, M. (1973) From Reverence to Rape: The Treatment of Women in the Movies Chicago: University of Chicago Press.
His Girl Friday (1940) Dir. Howard Hawks [YouTube] Columbia Pictures.
Life is a Banquet: The Rosalind Russell Story (2009) Narr. Kathleen Turner [DVD] Total Media Group.
Russell, R. (1977) Life is a Banquet (with Chris Chase) New York: Ace Books.
The Women (1939) Dir. George Cukor [DVD] MGM.
seul-le-cinema.blogspot.ie/2008/12/women-1939.html
www.criterion.com/current/posts/43…rfect-remarriage

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carole lombard

Carole Lombard: Hoyden, Screwball, Mogul in the Making – Episode 17

Ice-blonde with blue piercing eyes and great gams, Carole surprised many with her salty tongue, endless pranks and keen head for business and publicity. A screwball comedy queen, she also had a big heart when it came to looking after everyone she came into contact with, on and off the set. A proto feminist, she strived for better contracts and demanded her way when it came to choosing writers, directors and cinematographers for her projects. Her life was tragically brief so we want to pay homage to this great lady who was really just getting started. In episode 17 we discuss Virtue (1932), No Man of Her Own (1932) and My Man, Godfrey (1936).

Sources:
Bogdanovich, P. (1997) Who the Devil Made It: Conversations with Legendary Film Directors New York: Ballantine Books.

Carman, E. (2016) Independent Stardom: Freelance Women in the Hollywood Studio System. Austin: University of Texas Press.

My Man Godfrey (1936) Dir. Gregory La Cava [YouTube] Universal Pictures.

No Man of Her Own (1932) Dir. Wesley Ruggles [DVD] Paramount Pictures.

Swindell, L. (1975) Screwball: The Life of Carole Lombard Brattleboro: Echo Point Books and Media.

Virtue (1932) Dir. Edward Buzzell [DVD] Columbia Pictures.

Ott W. Frederick. (1972) The Films of Carole Lombard: The Citadel Press

sensesofcinema.com/2011/cteq/my-man-godfrey/

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Any Ladle’s Sweet That Dishes Out Some Gravy! The Women – Episode 4

It’s all about the women! In our 4th episode we delve deep into the 1939 all female classic, The Women. Directed by George Cukor, this biting social satire includes an impressive ensemble cast, Joan Crawford, Norma Shearer, and Paulette Goddard to name but a few. Shining with a sharp script by Anita Loos, we discuss the often overlooked subtleties and artistry of this under-appreciated film.

Any Ladle’s Sweet That Dishes Out Some Gravy! The Women – Episode 4 by Any Ladle’s Sweet

It’s all about the women! In our 4th episode we delve deep into the 1939 all female classic, The Women. Directed by George Cukor, this biting social satire includes an impressive ensemble cast, Joan Crawford, Norma Shearer, and Paulette Goddard to name but a few.

Sources:
Nugent, F.S. (1939) ‘Review: The Women’. The New York Times, 22 September.
www.nytimes.com/movie/review?res=…1DFBF668382629EDE
Carey, G. (1988) Anita Loos: A biography. London: Bloomsbury.
Considine, S. (1989) Bette & Joan: the divine feud. London: Sphere.
Crawford, J. (1962) A portrait of Joan: The Autobiography of Joan Crawford. (with Jane Kesner Ardmore). New York: Doubleday.
Fontaine, J (1978) No bed of roses. New York: Morrow.
Lambert, G. (1973) On Cukor. London: W.H. Allen.
Loos, A. (1974) Kiss Hollywood goodbye. London: W.H. Allen.
Lugowski, D.M. (2011) ‘Norma Shearer and Joan Crawford: rivals at the glamour factory’, in McLean, A.L (ed.) Glamour in a golden age: movie stars of the 1930s. New Brunswick: Rutgers University Press.
McGilligan, P. (1991) George Cukor: A double life. London: Faber and Faber.
Russell, R. (1977) Life is a banquet. (with Chris Chase). New York: Random House.
Thomas, B. (1978) Joan Crawford: a biography. London: Weidenfeld and Nicolson.
The Women (1939) Dir. George Cukor. [DVD] MGM.
seul-le-cinema.blogspot.ie/2008/12/women-1939.html

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