mary astor

Mary Astor: Bitch’s Cauldron – Episode 18

Mary Astor was in the words of David Niven a woman who “looked like a beautiful and highly shockable nun with the vocabulary of a long shoreman.” Dominated by a brutish money grabbing father, hated by her mother, pushed into film acting and some disasterous marriages and affairs, it was a long time before the real Mary Astor came into her own. A woman consumed by her many passions and demons, she brought a vitality, intelligence and wit to her roles that was ahead of its time. Join us as explore her best work in three films: The Maltese Falcon (1941), The Great Lie (1941) and The Palm Beach Story (1942).

Sources:

Astor, M. (1959) My Story: An Autobiography New York: Doubleday.

Astor, M. (1967) Mary Astor: A Life on Film 1 st British edition 1973. London: W.H. Allen.

Huston, J. (1980) An Open Book New York: Knopf.

Sorel, E. (2016) Mary Astor’s Purple Diary: The Great American Sex Scandal of 1936 New York: Liveright Publishing Company.

Sturges, P. (1990) Preston Sturges on Preston Sturges Adapted and edited by Sandy Sturges. New York: Simon and Schuster.

The Great Lie (1941) Dir. Edmund Goulding (DVD) Warner Brothers.

The Maltese Falcon (1941) Dir. John Huston (DVR) Warner Brothers.

The Palm Beach Story (1942) Dir. Preston Sturges (DVD) Paramount Pictures.

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bette davis

Sisters under the Skin – All About Bette – Episode 14

Part 2 of our ‘Sisters under the Skin’ series, of which Joan Crawford was featured in part 1, this episode is all about Bette. We celebrate a queen of Woman’s Pictures through three of her finest films: Of Human Bondage (1934), Marked Woman (1937) and Now, Voyager (1942).

This is also our last episode of the year but we will return in January fresh smelling with the fabulous Barbara Stanwyck.

Sisters under the Skin – All About Bette – Episode 14 by Any Ladle’s Sweet

Part 2 of our ‘Sisters under the Skin’ series, of which Joan Crawford was featured in part 1, this episode is all about Bette. We celebrate a queen of Woman’s Pictures through three of her finest films: Of Human Bondage (1934), Marked Woman (1937) and Now, Voyager (1942).

Sources:
Considine, S. (1989) Bette & Joan: The Divine Feud. New York: Dutton.

Davis, B. (1962) The Lonely Life. (with Sanford Dody). New York: Lancer Books.

— (1987) This ‘N That (with Michael Herskowitz). New York: Putnam.

Dody, S. (1980) Giving Up the Ghost: A Writer’s Life Among the Stars. Lanham: M Evans and Co.

Eckert, C. (1973) ‘The Anatomy of a Proletarian Film: Warner’s Marked Woman’ Film Quarterly Vol. 27 No. 2 (Winter 1973-1974) pp. 10-24.

Fuller, E. (1992) Me and Jezebel New York: Berkley.

Marked Woman (1937) Dir. Lloyd Bacon [DVD] Warner Brothers.

Now Voyager (1942) Dir. Irving Rapper [DVD] Warner Brothers.

Of Human Bondage (1934) Dir. James Cromwell [YouTube] RKO Pictures.

Sherman, V. (1996) Studio Affairs: My Life as a Film Director. Lexington: University Press of Kentucky.

Stine, W. (1974) Mother Goddamn: Bette Davis Hawthorn Books.

sensesofcinema.com/2001/feature-articles/spinster/

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Sisters under the Skin – Joan Crawford ‘As Wobbly as the Statue of Liberty’ – Episode 13

This month is special. To celebrate our one year podcast anniversary we are devoting episode 13 to the Queen of Woman’s Pictures, Joan Crawford. No idle gossip, or mention of THAT film will intrude on the Joan love-in. We are here to celebrate Ms Crawford through three of her finest films, ‘Sadie McKee’, ‘A Woman’s Face’, and ‘The Damned Don’t Cry’. As part of our ‘Sisters under the Skin’ series, part 1 is Joan but in part 2 next month we will be discussing the incomparable Bette Davis. Bless you.

Sisters under the Skin – Joan Crawford ‘As Wobbly as the Statue of Liberty’ – Episode 13 by Any Ladle’s Sweet

This month is special. To celebrate our one year podcast anniversary we are devoting episode 13 to the Queen of Woman’s Pictures, Joan Crawford. No idle gossip, or mention of THAT film will intrude on the Joan love-in. We are here to celebrate Ms Crawford through three of her finest films, ‘Sadie McKee’, ‘A Woman’s Face’, and ‘The Damned Don’t Cry’.

Sources:
Ep 13: Joan Crawford ‘As Wobbly As The Statue of Liberty’ [the quote comes from Molly Haskell’s ground breaking study From Reverence to Rape: The Treatment of Women in the Movies in a discussion of Joan Crawford’s role as the head of a trucking company in They All Kissed the Bride]

A Woman’s Face (1941) Dir. George Cukor [DVD] MGM Studios.

Crawford, J. (1962) A Portrait of Joan: The Autobiography of Joan Crawford (with Joan Kesner Ardmore). New York: Doubleday.

Crawford, J. (1971) My Way of Life. New York: Simon and Schuster.

Haskell, M. (1973) From Reverence to Rape: The Treatment of Women in the Movies. Chicago: University of Chicago Press.

Newquist, R. (1980) Conversations with Joan Crawford. Secaucus: Citadel Press.

Sherman, V. (1996) Studio Affairs: My Life as a Film Director. Lexington: University Press of Kentucky.

Sadie McKee (1934) Dir. Clarence Brown [DVD] MGM Studios.

Spoto, D. (2012) Possessed: The Life of Joan Crawford. London: Arrow Books.

Springer, J. (1973) Joan Crawford at Town Hall. Available at: www.youtube.com/watch?v=OeSwnYo_4hw

The Damned Don’t Cry (1950) Dir. Vincent Sherman [DVD] Warner Brothers.

Interview clip at end: The Louella Parsons Show, original airing November 9th, 1947.www.youtube.com/watch?v=nEJlwwRyO…&feature=youtu.be

Lukas, Karli. (2000) A Woman’s Face, Senses of Cinema sensesofcinema.com/2000/cteq/woman/

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Gif Corner

Adopt a GIF. Click on each to download. More coming soon!

All GIFs by Danielle so use them however you please.

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What Do Women Want?: Female Desire in Film 1918 – 1954 – Episode 8

What do women want?
What do they do when desire is repressed or thwarted?
What about desire and female spectatorship?
Moving the discussion on female desire and sexuality out of the dry academic arena, we focus on women’s conscious or experiential desire present on-screen. The films we discuss fit into various categories such as Repressed Desire, Masochistic Desire, Misdirected Desire, Fantasy, Forbidden Desire and Drag. We have framed this episode to be a companion piece to our third episode on the Pre-Code’s so sit back, relax and prepare to get hot and bothered!

What Do Women Want?: Female Desire in Film 1918 – 1954 – Episode 8 by Any Ladle’s Sweet

What do women want? What do they do when desire is repressed or thwarted? What about desire and female spectatorship? Moving the discussion on female desire and sexuality out of the dry academic arena, we focus on women’s conscious or experiential desire present on-screen.

Sources:
Bed and Sofa (1927) Dir. Abram Room www.youtube.com/watch?v=mrG3FA2lmiI

Ecstasy (1933) Dir. Gustav Machatý
vimeo.com/99946740

Gone With The Wind (1939) Dir. Victor Fleming [DVD]

I Don’t Want to Be a Man (1918) Dir. Ernst Lubitsch
www.youtube.com/watch?v=non55zCjx8Y

It’s Love I’m After (1937) Dir. Archie Mayo [DVD].

Johnny Guitar (1954) Dir. Nicholas Ray [Irish Film Institute cinema].

Lamarr, H. (1966) Ecstasy and Me: My Life as a Woman. Greenwich: Fawcett.

Lifeboat (1944) Dir. Alfred Hitchcock [DVD]

Liliom (1934) Dir. Fritz Lang
www.youtube.com/watch?v=FTv6pUDyvEA

Madam Satan (1930) Dir. Cecil B DeMille (ball scene)
www.dailymotion.com/video/x16we2_ma…ty-1930-1_music

Madchen in Uniform (1933) Dir. Leontine Sagan
www.youtube.com/watch?v=0Bj1Z5Pd7vc

Rebecca (1940) Dir. Alfred Hitchcock [DVD].

Sunset Boulevard (1950) Dir. Billy Wilder [DVD].

The Bitter Tea of General Yen (1933) Dir. Frank Capra [DVD].

The Cabin in the Cotton (1932) Dir. Michael Curtiz
www.dailymotion.com/video/x37gkjo

The Heiress (1949) Dir. William Wyler [DVD].

These Three (1936) Dir. William Wyler [DVD].

The Smiling Madame Beudet (1923) Dir. Germaine Dulac
www.youtube.com/watch?v=1VA8NBhipvs

Music sample: An Ocasional Man, Martin-Blane, Sung by Marion Ryan (1962)[Columbia Records].

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