linda darnell

Linda Darnell ‘What I Got Don’t Need Beads’ – Episode 23

Linda Darnell was hardcore. A Madonna face with an ice heart. She was also funny, generous, extremely giving of her time, loved Mexican food and palling around with her bestie Ann Miller. Instead of being labelled a ‘tragedy’, we here at Any Ladle’s Sweet wish to celebrate Linda by discussing 3 of her finest roles: Forever Amber (1947), A Letter to Three Wives (1949) and No Way Out (1950). Come children…

Resources:
A Letter to Three Wives (1949) Dir. Joseph L. Mankiewicz [DVD] 20th Century Fox.

Davis, R.L. (1991) Hollywood Beauty: Linda Darnell and the American Dream, Norman: University of Oklahoma Press.

Forever Amber (1947) Dir. Otto Preminger [YouTube] 20th Century Fox.

No Way Out (1950) Dir. Joseph L. Mankiewicz [YouTube] 20th Century Fox.

Share
rosalind russell

Rosalind Russell: Dollface Hick – Episode 22

Orry-Kelly recalled a conversation with Roz during the filming of Auntie Mame “On one occasion I said to her ‘You know, you’re a pretty wonderful girl and you’ve been a wonderful wife. In fact, you’ve been a wonderful mother.’ A naughty Mame-ish gleam came into her eyes as she said, ‘Yes, and I’m a hell of a lover’”. Episode 22 is devoted to this gargantuan superwoman of the silver screen. A unique comedic talent who always displayed class and good humour in whatever picture she worked on. In our opinion, Roz was ‘top drawer’. We discuss three of her finest: The Women (1939), His Girl Friday (1940), and Auntie Mame (1958).

THAT outfit, long thought deleted from the final version of the film but we found its brief appearance!

rosalind russellrosalind russell

Resources:
Auntie Mame (1958) Dir. Morton DaCosta [DVD] Warner Bros.
Dennis, P. (1955) Auntie Mame: An Irreverent Escapade New York: Penguin.
Haskell, M. (1973) From Reverence to Rape: The Treatment of Women in the Movies Chicago: University of Chicago Press.
His Girl Friday (1940) Dir. Howard Hawks [YouTube] Columbia Pictures.
Life is a Banquet: The Rosalind Russell Story (2009) Narr. Kathleen Turner [DVD] Total Media Group.
Russell, R. (1977) Life is a Banquet (with Chris Chase) New York: Ace Books.
The Women (1939) Dir. George Cukor [DVD] MGM.
seul-le-cinema.blogspot.ie/2008/12/women-1939.html
www.criterion.com/current/posts/43…rfect-remarriage

Share
gloria grahame

Gloria Grahame – Sister Under the Mink – Episode 21

This month we’re righting some wrongs here at Any Ladle’s Sweet. Gloria Grahame shone in support roles in many noir films, under many great directors but she references her mother as her only influence on her acting style. Negative stories surrounding her personal life overtook her talent and hard work and fact and fiction mixed into a tawdry Hollywood Babylon style mess. Gloria was a unique talent and we are here to celebrate her hard work and mesmerising onscreen presence. We discuss 3 of her finest, In a Lonely Place (1950), The Big Heat (1953), and Human Desire (1954).

Sources:
Callahan, D. (2008) ‘Fatal Instincts: The Dangerous Pout of Gloria Grahame’

Bright Lights 30 April [Available at: brightlightsfilm.com/fatal-instinct…/#.WX9Yq4jyvIV].

Chase, D (1997) ‘Gloria Grahame: In Praise of the Dirty Mind’ Film Comment September/October [Available at: www.filmcomment.com/article/gloria-grahame/].

Curcio, V. (1989) Suicide Blonde: The Life of Gloria Grahame. New York: William Morrow and Company.

Eisenschitz, B. (1996) Nicholas Ray: An American Journey translated by Tom Milne. New York: Faber & Faber.

Gunning, T. (2000) The Films of Fritz Lang: Allegories of Vision and Modernity. London, BFI with Palgrave Macmillan.

Hagen, R and Wagner, L. (2004) Killer Tomatoes: Fifteen Tough Noir Dames. Jefferson: McFarland.

Human Desire (1954) Dir. Fritz Lang [YouTube] Columbia Pictures.

In a Lonely Place (1950) Dir. Nicholas Ray. [DVR] Columbia Pictures.

Ray, N. (1993) I Was Interrupted: Nicholas Ray on Making Movies Berkeley: University of California Press.

Rickey, C. (2017) ‘In a Lonely Place: Film noir as an opera of male fury’

Library of America 28 June [Available at: www.loa.org/news-and-views/1301…-opera-of-male-fury].

The Big Heat (1953) Dir. Fritz Lang [DVD] Columbia Pictures.

Turner, P. (1986) Film Stars Don’t Die in Liverpool. London: Pan Books.

Share
mary astor

Mary Astor: Bitch’s Cauldron – Episode 18

Mary Astor was in the words of David Niven a woman who “looked like a beautiful and highly shockable nun with the vocabulary of a long shoreman.” Dominated by a brutish money grabbing father, hated by her mother, pushed into film acting and some disasterous marriages and affairs, it was a long time before the real Mary Astor came into her own. A woman consumed by her many passions and demons, she brought a vitality, intelligence and wit to her roles that was ahead of its time. Join us as explore her best work in three films: The Maltese Falcon (1941), The Great Lie (1941) and The Palm Beach Story (1942).

Sources:

Astor, M. (1959) My Story: An Autobiography New York: Doubleday.

Astor, M. (1967) Mary Astor: A Life on Film 1 st British edition 1973. London: W.H. Allen.

Huston, J. (1980) An Open Book New York: Knopf.

Sorel, E. (2016) Mary Astor’s Purple Diary: The Great American Sex Scandal of 1936 New York: Liveright Publishing Company.

Sturges, P. (1990) Preston Sturges on Preston Sturges Adapted and edited by Sandy Sturges. New York: Simon and Schuster.

The Great Lie (1941) Dir. Edmund Goulding (DVD) Warner Brothers.

The Maltese Falcon (1941) Dir. John Huston (DVR) Warner Brothers.

The Palm Beach Story (1942) Dir. Preston Sturges (DVD) Paramount Pictures.

Share
carole lombard

Carole Lombard: Hoyden, Screwball, Mogul in the Making – Episode 17

Ice-blonde with blue piercing eyes and great gams, Carole surprised many with her salty tongue, endless pranks and keen head for business and publicity. A screwball comedy queen, she also had a big heart when it came to looking after everyone she came into contact with, on and off the set. A proto feminist, she strived for better contracts and demanded her way when it came to choosing writers, directors and cinematographers for her projects. Her life was tragically brief so we want to pay homage to this great lady who was really just getting started. In episode 17 we discuss Virtue (1932), No Man of Her Own (1932) and My Man, Godfrey (1936).

Sources:
Bogdanovich, P. (1997) Who the Devil Made It: Conversations with Legendary Film Directors New York: Ballantine Books.

Carman, E. (2016) Independent Stardom: Freelance Women in the Hollywood Studio System. Austin: University of Texas Press.

My Man Godfrey (1936) Dir. Gregory La Cava [YouTube] Universal Pictures.

No Man of Her Own (1932) Dir. Wesley Ruggles [DVD] Paramount Pictures.

Swindell, L. (1975) Screwball: The Life of Carole Lombard Brattleboro: Echo Point Books and Media.

Virtue (1932) Dir. Edward Buzzell [DVD] Columbia Pictures.

Ott W. Frederick. (1972) The Films of Carole Lombard: The Citadel Press

sensesofcinema.com/2011/cteq/my-man-godfrey/

Share